"Moliner is remarkable in two respects: [...] not only blurs the boundaries, but this apparently corresponds fundamentally to his approach, no matter what instrument he writes for."

His ability to play all by heart and his musical corporality in percussion are unique and exceptional.

"(...) it is not surprising that his compositional aesthetic is considered a pioneer of new genres and new forms."

"his ... Mein Logos, is a work of energetic nature that arises from that percussive principle and shows off its soloist, with an orchestra, somewhat smaller than in the other scores in the program, collaborating for this purpose, except for contrasting fragments like that suggestive solo interspersed from the concertmaster. A kind of tight correlation of the concept, as of electronic music, of the "attack-resonance", together with "transversal" techniques of soloist and music stands"

"[...] Having the composer himself as the main soloist and indicating some entries by himself to the rest of the percussionists, the discourse became really powerful"

"The naturalness with which Moliner combines sensuality and form is impressive."

"Bells, whistles, whispers, body blows. All this in a timbral amalgam of undoubted musical cohesion, where we glimpse influences that go from Igor Stravinsky, in those impulsive rhythmic ostinatos, through Franco Donatoni, with that heterodox use of brass."

A rare composer and percussionist endowed with an exclusive musical talent; his music is full of emotion and sensitivity

A very talented composer whose music is characterized by an extraordinary corporeality and physical power